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民族誌映画の撮影方法に関する試論
https://doi.org/10.15021/00004433
https://doi.org/10.15021/00004433a4bc138a-bd8d-42d3-b6ab-e80bcd268ce1
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KH_009_2_004.pdf (2.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2010-02-16 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 民族誌映画の撮影方法に関する試論 | |||||||||||
| タイトル | ||||||||||||
| タイトル | A Study in Visual Anthropology : Filming from an Ethnological Perspective | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.15021/00004433 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
大森, 康宏
× 大森, 康宏
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | The recording of image sequences on film, in other words making movies, is one of the principal activities in visual media. The movie was developed for scientific purposes by Edward Maybridge. His continuous still photographs of the natural movements of animals and humans not only provided the basis for further research, but also represented the first instance of the ethnographic film. Subsequent productions may be classified broadly as either fiction or documentary films. With the development of portable devices for visual recording, the ethnographic film has come to be regarded as an integral part of anthropological and ethnographic research. Ethnographic filmmaking has yet to emerge as a definite genre within the field of anthropology. This paper examines certain features unique to ethnographic film production, with particular emphasis on the process of shooting from an anthropological perspective. The ethnographic approach to filming in field situations is also addressed. Theory and practice is a prerequisite to ethnographic film production, and the cameraman should therefore be a qualified ethnographer with enough technical knowledge and experience to operate the equipment. Further, an understanding of the history of film ethnography not only establishes the context within which production takes place, but also often gives rise to new approaches to research design. In addition, before entering the field, the visual anthropologist is obliged to study general features of production, including patterns of filming, reportage, footage film, direct film, and cinema verite . In conclusion, emphasis has been attached to problems confront- ing the filmmaker under actual field conditions. This encompasses the composition of the film staff as well as the responsibilities implicit in shooting under diverse social and environmental conditions. Not even the production of a technically fine work can justify ignoring relationships between the people filmed and the research team. |
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| 書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 9, 号 2, p. 421-457, 発行日 1984-08-31 |
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| 出版者 | ||||||||||||
| 出版者 | 国立民族学博物館 | |||||||||||
| 出版者（英） | ||||||||||||
| 出版者 | National Museum of Ethnology | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0385-180X | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN00091943 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
