{"created":"2023-06-20T15:59:17.656873+00:00","id":4441,"links":{},"metadata":{"_buckets":{"deposit":"c7cd5bc4-96c7-4cca-ade7-53852804a012"},"_deposit":{"created_by":17,"id":"4441","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"4441"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00004441","sets":["345:469"]},"author_link":["5724"],"item_9_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1984-08-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"457","bibliographicPageStart":"421","bibliographicVolumeNumber":"9","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"The recording of image sequences on film, in other words making\nmovies, is one of the principal activities in visual media. The movie\nwas developed for scientific purposes by Edward Maybridge. His\ncontinuous still photographs of the natural movements of animals and\nhumans not only provided the basis for further research, but also\nrepresented the first instance of the ethnographic film. Subsequent\nproductions may be classified broadly as either fiction or documentary\nfilms.\nWith the development of portable devices for visual recording,\nthe ethnographic film has come to be regarded as an integral part of\nanthropological and ethnographic research. Ethnographic filmmaking\nhas yet to emerge as a definite genre within the field of anthropology.\nThis paper examines certain features unique to ethnographic film\nproduction, with particular emphasis on the process of shooting from\nan anthropological perspective. The ethnographic approach to\nfilming in field situations is also addressed.\nTheory and practice is a prerequisite to ethnographic film production,\nand the cameraman should therefore be a qualified ethnographer\nwith enough technical knowledge and experience to operate the\nequipment. Further, an understanding of the history of film ethnography\nnot only establishes the context within which production takes\nplace, but also often gives rise to new approaches to research design.\nIn addition, before entering the field, the visual anthropologist is\nobliged to study general features of production, including patterns of\nfilming, reportage, footage film, direct film, and cinema verite .\nIn conclusion, emphasis has been attached to problems confront-\ning the filmmaker under actual field conditions. This encompasses\nthe composition of the film staff as well as the responsibilities implicit\nin shooting under diverse social and environmental conditions. Not\neven the production of a technically fine work can justify ignoring\nrelationships between the people filmed and the research team.","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15021/00004433","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_9_publisher_34":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_9_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_9_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X","subitem_source_identifier_type":"ISSN"}]},"item_9_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大森, 康宏"},{"creatorName":"オオモリ, ヤスヒロ","creatorNameLang":"ja-Kana"},{"creatorName":"Omori, Yasuhiro","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-11-19"}],"displaytype":"detail","filename":"KH_009_2_004.pdf","filesize":[{"value":"2.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_009_2_004.pdf","url":"https://minpaku.repo.nii.ac.jp/record/4441/files/KH_009_2_004.pdf"},"version_id":"9dd59f9e-8a61-4ce2-8b55-8bca2ea954b6"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"民族誌映画の撮影方法に関する試論","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"民族誌映画の撮影方法に関する試論"},{"subitem_title":"A Study in Visual Anthropology : Filming from an Ethnological Perspective","subitem_title_language":"en"}]},"item_type_id":"9","owner":"17","path":["469"],"pubdate":{"attribute_name":"公開日","attribute_value":"2010-02-16"},"publish_date":"2010-02-16","publish_status":"0","recid":"4441","relation_version_is_last":true,"title":["民族誌映画の撮影方法に関する試論"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:14:41.617568+00:00"}