@article{oai:minpaku.repo.nii.ac.jp:00004441,
 author = {大森, 康宏 and Omori, Yasuhiro},
 issue = {2},
 journal = {国立民族学博物館研究報告, Bulletin of the National Museum of Ethnology},
 month = {Aug},
 note = {The recording of image sequences on film, in other words making
movies, is one of the principal activities in visual media. The movie
was developed for scientific purposes by Edward Maybridge. His
continuous still photographs of the natural movements of animals and
humans not only provided the basis for further research, but also
represented the first instance of the ethnographic film. Subsequent
productions may be classified broadly as either fiction or documentary
films.
With the development of portable devices for visual recording,
the ethnographic film has come to be regarded as an integral part of
anthropological and ethnographic research. Ethnographic filmmaking
has yet to emerge as a definite genre within the field of anthropology.
This paper examines certain features unique to ethnographic film
production, with particular emphasis on the process of shooting from
an anthropological perspective. The ethnographic approach to
filming in field situations is also addressed.
Theory and practice is a prerequisite to ethnographic film production,
and the cameraman should therefore be a qualified ethnographer
with enough technical knowledge and experience to operate the
equipment. Further, an understanding of the history of film ethnography
not only establishes the context within which production takes
place, but also often gives rise to new approaches to research design.
In addition, before entering the field, the visual anthropologist is
obliged to study general features of production, including patterns of
filming, reportage, footage film, direct film, and cinema verite .
In conclusion, emphasis has been attached to problems confront-
ing the filmmaker under actual field conditions. This encompasses
the composition of the film staff as well as the responsibilities implicit
in shooting under diverse social and environmental conditions. Not
even the production of a technically fine work can justify ignoring
relationships between the people filmed and the research team.},
 pages = {421--457},
 title = {民族誌映画の撮影方法に関する試論},
 volume = {9},
 year = {1984},
 yomi = {オオモリ, ヤスヒロ}
}