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家元制度 : その形成をめぐって
https://doi.org/10.15021/00004540
https://doi.org/10.15021/0000454036398dd4-196d-483a-add0-a4cfae40d650
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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公開日 | 2010-02-16 | |||||||||||
タイトル | ||||||||||||
タイトル | 家元制度 : その形成をめぐって | |||||||||||
タイトル | ||||||||||||
タイトル | The Formation of the Iyemoto System | |||||||||||
言語 | en | |||||||||||
言語 | ||||||||||||
言語 | jpn | |||||||||||
資源タイプ | ||||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
資源タイプ | departmental bulletin paper | |||||||||||
ID登録 | ||||||||||||
ID登録 | 10.15021/00004540 | |||||||||||
ID登録タイプ | JaLC | |||||||||||
著者 |
守屋, 毅
× 守屋, 毅
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抄録 | ||||||||||||
内容記述タイプ | Abstract | |||||||||||
内容記述 | This article examines the iyemotos ystem, focusing on its historical development. In chapter I the difference between personal and individual iyemoto and the iyemoto system as an organization or institution is discussed. Then the various usages of the word iyemotoi n the literature of Edo period are examined. In chapter II popularization of performing arts is discussed from the following aspects: (1) the spread of aesthetic pastime in chonin (townsmen) society: (2) the enlightenment of performing arts and publication of secret traditions; and (3) the appearance of masters in town. This chapter attempts to clarify the situation which led to the formation of the iyemoto system. In chapter III activities of the iyemoto itself which preceded the formation of iyemoto system are discussed, mainly focusing on: (1) dependence on the Tokugawa feudal system; (2) the establishment of iyemoto in Kyoto; and (3) the legitimization of iyemoto. That particular iyemoto retained supremacy over the others is pointed out. In chapter IV organizational methods adopted by the iyemoto are discussed. These methods are: (1) systematization of 'aesthetic pastime' population and natori (accredited master) system; (2) renovation of curriculum for educating the public, and the awarding of a diploma; (3) iyemoto and the right of issuance of a diploma; and (4) renewal of the charisma of iyemoto. In chapter V changes in methods of performance incidental to the formation of the iyemotos ystem are referred to, such as: (1) the seven special ceremonies of the Senke family in the tea ceremony; (2) the change from rikka to ikebana in flower arrangement; and (3) the emergence of utai chanting in the noh play. The relationship between the formation of the iyemoto system and the popularization of performing arts is speculated on. The article concludes with a discussion of wholely future development of the iyemoto system. |
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書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 4, 号 4, p. 709-737, 発行日 1980-03-25 |
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出版者 | ||||||||||||
出版者 | 国立民族学博物館 | |||||||||||
出版者(英) | ||||||||||||
出版者 | National Museum of Ethnology | |||||||||||
ISSN | ||||||||||||
収録物識別子タイプ | ISSN | |||||||||||
収録物識別子 | 0385-180X | |||||||||||
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収録物識別子タイプ | NCID | |||||||||||
収録物識別子 | AN00091943 | |||||||||||
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出版タイプ | VoR | |||||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |