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  1. 国立民族学博物館研究報告
  2. 8巻4号

セネガルの舞踊と日常動作の関連に関する研究ノート

https://doi.org/10.15021/00004444
https://doi.org/10.15021/00004444
6b9076de-1609-4a5b-af30-c769d80c855d
名前 / ファイル ライセンス アクション
KH_008_4_003.pdf KH_008_4_003.pdf (2.0 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2010-02-16
タイトル
タイトル セネガルの舞踊と日常動作の関連に関する研究ノート
タイトル
タイトル A Note on the Relationship between the Dance Movements and Everyday Activity
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.15021/00004444
ID登録タイプ JaLC
著者 小川, 了

× 小川, 了

小川, 了

ja-Kana オガワ, リョウ

en Ogawa, Ryo

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抄録
内容記述タイプ Abstract
内容記述 In general there are two views on the relationship between
the dance movements and daily work.
From one point of view, dance movements are formed
in a domain which is completely cut-off from those of daily
routine. In dance the body is used in different ways from those
employed in daily work movements. In one sense, dance could
be defined as composed of movements not found in ordinary
daily work. Dance must be something different. The
essential point is that dance movements are articulated, and
by this articulation dance becomes something out of the ordinary,
or unusual.
The other perspective regards dance movements as being
closely related to routine work movements. Many authors claim
that the movement style in dance represents a crystallization
of the frequent patterns of everyday activity.
These two view points are apparently contradictory;
but this is, in fact, not so. That is, movements performed
almost automatically or unconsciously in the everyday life are,
in dance, performed consciously. Therefore they articulate.
Dance movements themselves are rooted on the habitual
movements of a people's daily activity. So dance activity and
everyday activity are not entirely distinct. The criterion which
distinguishes dance movements from daily activity is that , in
the former, movements are performed consciously and with
articulation.
In this note I use as an example some particular postures
and movements of Senegalese (Ful6e, Wolof and Serer)
women's dances. In their dances, the upper torso is lightly
inclined forward and the pelvis is tilted downward. The
important movements consist largely in those of the pelvis.
This angular posture in dance appears to be related to
that in which babies are carried on their mothers' backs, and
that the pelvic movements are connected with the women's daily
activities; pounding grains and drawing water from a well.
書誌情報 国立民族学博物館研究報告
en : Bulletin of the National Museum of Ethnology

巻 8, 号 4, p. 865-877, 発行日 1984-03-28
出版者
出版者 国立民族学博物館
出版者(英)
出版者 National Museum of Ethnology
ISSN
収録物識別子タイプ ISSN
収録物識別子 0385-180X
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00091943
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
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Cite as

Ogawa, Ryo, 1984, A Note on the Relationship between the Dance Movements and Everyday Activity: 国立民族学博物館, 865–877 p.

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