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巫俗儀礼の音 : 韓国済州島の事例から
https://doi.org/10.15021/00004392
https://doi.org/10.15021/00004392d7c520dd-7b97-4977-9955-10c85c3d7683
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KH_010_3_001.pdf (1.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2010-02-16 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 巫俗儀礼の音 : 韓国済州島の事例から | |||||||||||
| タイトル | ||||||||||||
| タイトル | Musical Sounds in Korean Shamanistic Ritual : A Case Study of Cheju Island | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.15021/00004392 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
櫻井, 哲男
× 櫻井, 哲男
WEKO
11318
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | The musical sounds used in Korean shamanistic ritual are the human voice, the chang-gui (drum) sound, the puk (drum) sound, the ching (gong) sound, the sOlsswe (small gong) sound, the yoryong (bell) sound and the parang (cymbal) sound. These sounds are combined as follows : (1) human voice (solo or accompanied by the chang-gui); (2) the puk, the ching, the solsswe; (3) the yoryOng; (4) the parang—less a musical instrument than a tool of divination—. Three and 4 are used separately. In shamanistic ritual these sounds are sometimes used independently, and sometimes incidentally with dance or ritual posturing. The sounds have three main functions: (1) working upon gods; (2) mutual communication between gods and man; and (3) enjoyment of gods and man. Analyzed musically, only the vocal expression has a clear melodic movement, which becomes more patterned and musical when mental distance to a god seems nearer. That is, there is a certain relationship between the distance to the god and the musicality. Rhythmically, the trisection of a beat is a dominant principle and the variations of trisection (2 to 1, 1 to 2) maintain superiority in building-up rhythm. The characteristic feature of rhythm is not only its various vocal expressions from verbal to musical grade, but also in various physical movements such as dancing. Then thus appears to be a fundamental characteristic of Korean folk music and performing arts. |
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| 書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 10, 号 3, p. 551-573, 発行日 1986-02-22 |
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| 出版者 | ||||||||||||
| 出版者 | 国立民族学博物館 | |||||||||||
| 出版者（英） | ||||||||||||
| 出版者 | National Museum of Ethnology | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0385-180X | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN00091943 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
