{"created":"2023-06-20T15:59:16.070841+00:00","id":4400,"links":{},"metadata":{"_buckets":{"deposit":"61346316-0d9d-407c-a715-93732bb713f3"},"_deposit":{"created_by":17,"id":"4400","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"4400"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00004400","sets":["345:464"]},"author_link":["11318"],"item_9_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1986-02-22","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"3","bibliographicPageEnd":"573","bibliographicPageStart":"551","bibliographicVolumeNumber":"10","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"The musical sounds used in Korean shamanistic ritual are\nthe human voice, the chang-gui (drum) sound, the puk (drum)\nsound, the ching (gong) sound, the sOlsswe (small gong) sound,\nthe yoryong (bell) sound and the parang (cymbal) sound. These\nsounds are combined as follows : (1) human voice (solo or\naccompanied by the chang-gui); (2) the puk, the ching, the solsswe;\n(3) the yoryOng; (4) the parang—less a musical instrument than\na tool of divination—. Three and 4 are used separately.\nIn shamanistic ritual these sounds are sometimes used\nindependently, and sometimes incidentally with dance or ritual\nposturing. The sounds have three main functions: (1) working\nupon gods; (2) mutual communication between gods and man;\nand (3) enjoyment of gods and man.\nAnalyzed musically, only the vocal expression has a clear\nmelodic movement, which becomes more patterned and musical\nwhen mental distance to a god seems nearer. That is, there is\na certain relationship between the distance to the god and the\nmusicality.\nRhythmically, the trisection of a beat is a dominant principle\nand the variations of trisection (2 to 1, 1 to 2) maintain superiority\nin building-up rhythm. The characteristic feature of rhythm\nis not only its various vocal expressions from verbal to musical\ngrade, but also in various physical movements such as dancing.\nThen thus appears to be a fundamental characteristic of Korean\nfolk music and performing arts.\n","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15021/00004392","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_9_publisher_34":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_9_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_9_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X","subitem_source_identifier_type":"ISSN"}]},"item_9_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"櫻井, 哲男"},{"creatorName":"サクライ, テツオ","creatorNameLang":"ja-Kana"},{"creatorName":"Sakurai, Tetsuo","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-11-19"}],"displaytype":"detail","filename":"KH_010_3_001.pdf","filesize":[{"value":"1.3 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_010_3_001.pdf","url":"https://minpaku.repo.nii.ac.jp/record/4400/files/KH_010_3_001.pdf"},"version_id":"8e5af08f-77b2-4b2d-97aa-c03a43ebe3c2"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"巫俗儀礼の音 : 韓国済州島の事例から","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"巫俗儀礼の音 : 韓国済州島の事例から"},{"subitem_title":"Musical Sounds in Korean Shamanistic Ritual : A Case Study of Cheju Island","subitem_title_language":"en"}]},"item_type_id":"9","owner":"17","path":["464"],"pubdate":{"attribute_name":"公開日","attribute_value":"2010-02-16"},"publish_date":"2010-02-16","publish_status":"0","recid":"4400","relation_version_is_last":true,"title":["巫俗儀礼の音 : 韓国済州島の事例から"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T19:27:01.715178+00:00"}