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現代和服の変貌 II : 着装理念の構造と変容
https://doi.org/10.15021/00004413
https://doi.org/10.15021/00004413d2f472c6-0474-43ec-9c0c-7ed291509d8c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KH_010_1_005.pdf (13.4 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2010-02-16 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 現代和服の変貌 II : 着装理念の構造と変容 | |||||||||||
| タイトル | ||||||||||||
| タイトル | The Metamorphosis of the Modern Kimono II | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.15021/00004413 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
大丸, 弘
× 大丸, 弘
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This paper is a continuation of my last paper in which I dealt with the transformation of the sewing technique of the Kimono. Here I discuss the change in the ideal of wearing the Kimono that has brought about the style of the present-day Kimono. The period focused on in this paper is from about 1910 to the present. At the beginning of this period, there was the well-known contrast between the concept of wearing in uptown and downtown Tokyo. With this. contrast, I propose that there was another contrast between the female student style and the Geisha style. The former was akin to the uptown style and the latter to the downtown style. The modernization of the Kimono was led mainly by the intellectuals in uptown and the female students, whereas the most beautiful style of Kimono was represented by the Geishas in downtown, which was later ruined by the general modernization of Japan. The method of wearing the Kimono became standardized under the guidance of the female high schools and was accepted as correct way. Behind this method of wearing, which the intellectuals in uptown and the female students adapted, was the influence of the Samurai, who had always prefered the female student style. Therefore, the correct method of wearing the Kimono is modern yet based on the tradition of the Samurai. Modern people, in choosing the traditions of the Samurai, abandoned the Geisha style, which was more beautiful, and chose the female student style, which was a more rigorous style of wearing. |
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| 書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 10, 号 1, p. 131-232, 発行日 1985-07-20 |
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| 出版者 | ||||||||||||
| 出版者 | 国立民族学博物館 | |||||||||||
| 出版者（英） | ||||||||||||
| 出版者 | National Museum of Ethnology | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0385-180X | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN00091943 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
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Cite as
Daimaru, Hiroshi, 1985, The Metamorphosis of the Modern Kimono II: 国立民族学博物館, 131–232 p.
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