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『チンギス・ハーンの二頭の駿馬』について : 写本と口頭伝承の比較を中心に
https://doi.org/10.15021/00004098
https://doi.org/10.15021/00004098b6ae3272-2183-4999-8cd1-a1536d797456
| 名前 / ファイル | ライセンス | アクション |
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KH_024_3_002.pdf (21.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2010-02-16 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 『チンギス・ハーンの二頭の駿馬』について : 写本と口頭伝承の比較を中心に | |||||||||||
| タイトル | ||||||||||||
| タイトル | The Story of Two Great Steeds of Činggis Qaγan : Focusing on Ancient Manuscripts and Oral Tradition | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | オルドス・モンゴル｜叙事詩｜ウルトゥイソ・ドー｜二頭のジャガル | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | Ordus Mongols｜epics｜Urtu-yin dayuu｜Qoyar Jayal (Two Great Steeds) | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.15021/00004098 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
楊, 海英
× 楊, 海英
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | 叙事詩「チンギス・ハーンの二頭の駿馬」は,写本と口頭伝承の形で内蒙古 自治区西部オルドス地域を中心に伝わっている。叙事詩の写本は古くからその 種類が多く,民間に多数存在する。一方,口頭伝承では「聖主の二頭の駿馬」 という民歌で広く知られている。従来の研究は叙事詩の物語の分析に重点をお いてきた。そこで本稿は,叙事詩の写本公開を基本的な目的とする。そのうえ で,叙事詩の写本と口頭伝承のテキストとの比較検討を試みる。それによって, 写本とロ頭伝承の関連性を明らかにし,叙事詩の物語の再生産についての仮説 をうちたてる。 |
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | A Mongolian epic Cinggis qayan-u er-e goyar jayal -un tuyuji (Two Great Steeds of Cinggis Qayan) has been preserved for centuries in the form both of manuscript and oral tradition, mainly in Ordus, which is an autonomous region in Inner Mongolia. There exist many different manuscripts for this epic, which have been collected and reported by researchers through generations. The entire corpus of manuscripts, however, has not yet been identified or elucidated. On the other hand, the oral tradition has taken the form of "Urtu-yin dayuu" the title of which is "Ejen boyda-yin qoyar jayal" (Two Great Steeds of the Holy Qayan) . "Urtu-yin dayuu" literally means a "long song". This paper is aimed at publicising two manuscripts, which the author discovered in Ordus, as well as a text that has existed in the Mongolian People's Republic for many years. Conventionally, the study of the epic has centred round the analysis of the stories that are described in it. For this reason, there has not been sufficient academic work to date that aims to compare the written epic with the "long song", which is the oral tradition. In this paper, in order to shed light from a new angle, the author aims to identify various forms of the "long song" entitled "Two Great Steeds of the Holy Qayan", which have been passed on through generations of people in Ordus, thus elucidating the structure and content of the oral tradition. Then a comparison will be made between the oral tradition and the manuscripts in relation to what is described. As for the content, most of the manuscripts which have been discovered in the Ordus region consist of the following two stories. The first is about two horses, which are called "Yeke Jayal" (Big Jayal) and "Bay-a Jayal" (Small Jayal) . They were born in a huge herd of 100,000 horses owned by Cinggis qayan. As they grew as outstanding young horses, they contributed greatly to the success of the great hunt carried out by Cinggis Qayan and his men, in which a hunting ground was encircled by hundreds of hunters on horseback who chased wild game out into the open. Unfortunately, however, despite the high calibre which both Jayal demonstrated, they somehow failed to gain legitimate credit from people for their contribution. Disappointed and grieved, the two horses left Cinggis Qayan's court, running off to the remote countryside, where they spent a few years without attending to any official duty or assignment. However, their dedication and loyalty to Cinggis Qayan was so genuine that they could never forget their Qayan. Eventually they came back to the court again. Deeply pleased with their return, Cinggis Qayan set out for a great hunt again, when everybody generously rewarded the achievement of the horses with sincere words of adoration. To their great pleasure, the two Jayal came to be admired by literally everybody in the country, enjoying the fame. This concludes the first story. Of the two Jayal, Bay-a Jayal (Small Jayal) alone reappears at the end of the second story. The hero in this is a little boy who was taken into bondage as a hostage and forced to work as a shepherd looking after a herd of sheep owned by a wealthy man. Although the rich man possessed as many as 100,000 horses, he was utterly ignorant of the value of horses, incapable of telling a great steed from others of poor breed. There happened to be a fine horse in the herd, which could run extremely fast. In the rich man's possession, however, the value of this horse was totally wasted, without him being given any chance to show his excel lence. The boy immediately discovered the outstanding strength and nature of this horse and, a few years later, managed to ride off on his back to seek freedom from bondage. Unfortunately, however, the boy was chased and recaptured in the end by a pursuer riding "Small Jayal". Tragically enough, "Small Jayal" ran too fast during the chase and exhausted himself only to die after running the race. The story ends with the remarks that, since that incident, great steeds have come to be born only in the "Land of the Han", and not anywhere else. It is generally believed that the former half of the epic was constructed during the dynasty of Mongolia-Qayan in the 13th century, whereas the latter was created between the 14th and 15th centuries. On the other hand, the "long song" titled "Two Great Steeds of the Holy Qayan" includes only the former half of the epic, which is, in fact, the most moving legend. Whereas those who recite the epic are experts with special skill, the "long song" can be performed by almost everybody. Currently the number of specialists who can narrate the epic is getting extremely low in Ordus. In this context, it would be fair to say that the "long song" titled "Two Great Steeds of the Holy Qayan" was made as a popularisation and simplified version of the authentic epic "Two Great Steeds of Cinggis Qayan". |
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| 書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 24, 号 3, p. 485-632, 発行日 1999-12-24 |
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| 出版者 | ||||||||||||
| 出版者 | 国立民族学博物館 | |||||||||||
| 出版者（英） | ||||||||||||
| 出版者 | National Museum of Ethnology | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0385-180X | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN00091943 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
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Cite as
Yang, Haiying , 1999, The Story of Two Great Steeds of Činggis Qaγan : Focusing on Ancient Manuscripts and Oral Tradition: 国立民族学博物館, 485–632 p.
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