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済州島における歌の形成 : 音から音楽へ
https://doi.org/10.15021/00004311
https://doi.org/10.15021/0000431183d9d468-eae1-474e-bf22-072485a7ee76
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KH_013_4_003.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2010-02-16 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 済州島における歌の形成 : 音から音楽へ | |||||||||||
| タイトル | ||||||||||||
| タイトル | Formation of Songs in Cheju Island : From Sound to Music | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.15021/00004311 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
櫻井, 哲男
× 櫻井, 哲男
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This paper attempts to understand how sound forms music, based on a study of Cheju Island, Korea. Through an analysis of rhythm, tonal range and melody in three genres of music, recitation, work songs and playing songs, the sequence was clarified as follows. The basic principle of music divides beats by length. The basic rhythm pattern of recitation is [short+long]. The dancing rhythm is also parted by the combination of length. The length of time corresponds to the elasticity of muscular activity and to the tension and relaxation of the mind. Thus, the rhythmic principle in musical expression is common also to linguistic or physical expression. The tonal ranges of recitation—the narrowest, if distinguished from the genre—and singing songs are between major third to perfect eleventh. The range will be wider through work songs—playing songs. The range is limited, as follows: recitation: less than almost perfect fifth; work song: from perfect fifth to an octave; and playing song: more than an octave. The difference of the tonal range corresponds to the difference of musical expression. A work song is more musical than recitation, and playing songs have the most ample musical expression. There are two streams in melody formation. The first is through the four note of perfect fifth (re-mi-sol-la), which was founded by the addition of notes to the two notes core (mi-sol), two perfect eighth of do-re-mi-sol-la-do and re-mi-sol-ra-do-re. And minor tenth of si-re-mi-sol-la-si-re and major nineth of remi- sol-la-si-re-mi. The second is to form perfect eighth by six notes (do-re-mi-sol-la-do) by addition to the core notes of dore- mi, three notes in the major third frame. The most basic two melodic cores are found in the recitation and the most common work songs. Thus recitation and songs share a common basis in the formation of melody. Three conclusions emerge from these analyses. First, musical rhythms in Cheju Island, and common throughout Korea, have a close relationship in word recitation and physical activities, such as dance. Second, recitation, work songs and playing songs are distinguished by the difference of the tonal range. Finally, various melody patterns are formed through the two kinds of simple melody construction frames, major and minor third. |
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| 書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 13, 号 4, p. 787-806, 発行日 1989-03-29 |
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| 出版者 | ||||||||||||
| 出版者 | 国立民族学博物館 | |||||||||||
| 出版者（英） | ||||||||||||
| 出版者 | National Museum of Ethnology | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0385-180X | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN00091943 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
