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採取民コエグの歌とダンス : エチオピア西南部，オモ川下流平原の民族間関係
https://doi.org/10.15021/00004251
https://doi.org/10.15021/0000425134fbdd3f-0e3a-4dd3-8492-f04c48046850
| 名前 / ファイル | ライセンス | アクション |
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KH_017_1_002.pdf (3.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2010-02-16 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 採取民コエグの歌とダンス : エチオピア西南部，オモ川下流平原の民族間関係 | |||||||||||
| タイトル | ||||||||||||
| タイトル | The Dance Among the Koegu of Ethiopia : Identity and Interethnic Relations of the Forager | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | エチオピア西南部｜オモ川下流平原｜コエグ｜歌とダンス｜民族間関係 | |||||||||||
| キーワード | ||||||||||||
| 言語 | en | |||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | outhwestern Ethiopia｜Lower Omo Valley｜the Koegu｜dance and songs｜interethnic relations | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.15021/00004251 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| 著者 |
松田, 凡
× 松田, 凡
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This paper examines the role of dance in the resolution of inherent contradictions within society. Structural analysis is applied to "the youths' dance (hiyari) " performed by the Koegu in the Lower Omo Valley, southwestern Ethiopia. Most of the data presented here was taken during my fieldwork in 1988-90. The Koegu, 500 in number, is one of the minor ethnic groups in this area living on small scale horticulture, fishing, hunting and gathering, and honey collecting. The people have been kept for a long time in a subordinate position to the Kara, their southern neighbours. On the other hand, they have also been under the strong influence of the Nyangatom, who are pastoralists. The Koegu have many Nyangatom and Kara songs, and some Nyangatom dances in their repertory. They sing songs not only of these two groups but also of their six adjoining groups. Why do they sing and dance in the way of their neighbours ? In a sequence of "the youths' dance", the first stage always begins in a leaping dance and songs of the Nyangatom, which symbolically express the world view of the pastoralist. In the second stage, however, the dance form turns to a couple dance, the variety of languages in the singing increases, and the meanings of the words become obscene and sexually mocking against the Kara. In this liminal situation, the peoples' emotion is thrown into ecstasies and the value of structured life is overturned. Finally, the third stage is transformed into the Koegu dance and songs. Stability is restored again. However, the order of this stage is associated not with the Nyangatom but with the Koegu way of life. The dilemma within the Koegu society is that the people hope to be released from their subjection to the Kara, but this implies being taken under the patronage of the Nyangatom. Consequently, their ethnic identity as forager might be lost and changed to one as pastoralist. "The youths' dance" is a political performance which states the dilemma of their future identity. |
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| 書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 17, 号 1, p. 35-96, 発行日 1992-07-31 |
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| 出版者 | ||||||||||||
| 出版者 | 国立民族学博物館 | |||||||||||
| 出版者（英） | ||||||||||||
| 出版者 | National Museum of Ethnology | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||
| 収録物識別子 | 0385-180X | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN00091943 | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
