{"created":"2023-06-20T16:02:38.150840+00:00","id":8836,"links":{},"metadata":{"_buckets":{"deposit":"3fb02043-e76b-424a-bd90-8b71019741eb"},"_deposit":{"created_by":17,"id":"8836","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"8836"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00008836","sets":["345:793"]},"author_link":["15553"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-03-15","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"4","bibliographicPageEnd":"563","bibliographicPageStart":"543","bibliographicVolumeNumber":"46","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"博物館や美術館に所蔵される民族資料は，製作されて以降，使用，交換，収\n集，収蔵，展示の場面を経てきた物質文化である。1 つ 1 つのモノの履歴を精\n読することは，多様な場面のなかでそのモノが経験してきたさまざまな人やモ\nノやコトとの出会い，そして絡み合いを通時的に読み解くことに他ならない。\n本稿では慶應義塾大学に所蔵される 1 体の犬形木製彫像を事例にして，「植民\n地期に生起した収集の現場」（Gosden and Knowles 2001）の歴史的背景を明ら\nかにする。本資料は，旧オランダ領ニューギニアにおいて，南洋興発株式会社\n社長の松江春次氏が 1930 年代前半に入手したものと考えられる。類例資料を\n探索したところ，オランダの調査隊に参加したファン・ダー・サンデがフンボ\nルト湾の男性宿で 1903 年に収集した木製彫像に行き当たった。当時の写真を\n見ると，海岸の汀線に建つ杭上家屋の男性宿で，屋根から突き出る垂木の先端\nにさまざまな動物意匠の彫像が括り付けられている。特定の氏族と結びつく\nトーテム動物の彫像であろう。しかし，慶應大資料の形態はファン・ダー・サ\nンデの資料にくらべて写実性が増しており，一見して犬だと分かる。構築され\nた関係性の証として松江氏に譲渡されたというより，短期訪問者への販売目的\nで製作されていた造形物の可能性が浮かび上がる。今後，旧オランダ領ニュー\nギニアにおいて 19 世紀末から 20 世紀前半に生じた造形物の形態変化を詳細に\n検討する必要がある。","subitem_description_type":"Abstract"},{"subitem_description":"Ethnographic objects are of material culture which has experienced \nvarious scenes even after production, such as usage, exchange, collection, \nstorage, and exhibition. To read into the provenance of each object is to dia\u0002chronically scrutinize its encounter and entanglement with people, objects \nand things in the variety of scenes. This article will explore the historical \nbackground of ‘collecting colonialism’ （Gosden and Knowles 2001） through \na case study of a dog carving which is now held in Keio University. It is \nhighly probable that this object was obtained by Haruji Matsue, the president \nof Nanyo-Kohatsu Co., Ltd., in the former Netherlands New Guinea in the \n1932. A search for similar objects revealed some statues collected at a men’s \nhouse in Humboldt Bay in 1903 by van der Sande, a member of Dutch \nresearch team. In a picture taken by him was a stilt house built on the shore\u0002line of the coast, with various animal carvings being tied to the tips of the \nrafter protruding from its roof. Probably each of them presented a totem ani\u0002mal associated with a particular clan. However, the form of Keio University’s \ncarving is more realistic than those of Van der Sande, and at first glance it can \nbe seen as a dog. It is plausible that the Keio University’s object was a \ncarving made for sale to foreign visitors rather than being gifted to Matsue to \nshow a good relationship with him, while it should be so necessary to \nexamine the variety of physical attributes of ethnographic objects collected \nfrom the former Netherlands New Guinea in the end of 19th century to the \nearly 20th century.","subitem_description_type":"Abstract"}]},"item_10002_publisher_27":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"山口, 徹"},{"creatorName":"ヤマグチ, トオル","creatorNameLang":"ja-Kana"},{"creatorName":"Yamaguchi, Toru","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-04-04"}],"displaytype":"detail","filename":"KH_046_4_01.pdf","filesize":[{"value":"1.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_046_4_01","url":"https://minpaku.repo.nii.ac.jp/record/8836/files/KH_046_4_01.pdf"},"version_id":"4f674f83-6338-43fb-b387-e0a4aa0112a0"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"博物館人類学｜コレクティング・コロニアリズム｜オランダ領ニューギ ニア｜フンボルト湾｜松江春次","subitem_subject_scheme":"Other"},{"subitem_subject":"museum anthropology｜collecting colonialism｜Netherlands New Guinea｜Humboldt Bay｜Haruji Matsue","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"民族資料を精読する : 旧オランダ領ニューギニアの犬形木製彫像","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"民族資料を精読する : 旧オランダ領ニューギニアの犬形木製彫像"},{"subitem_title":"Reading into Ethnographic Objects : A Dog Carving Collected from the Former Netherlands New Guinea","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"17","path":["793"],"pubdate":{"attribute_name":"公開日","attribute_value":"2022-04-04"},"publish_date":"2022-04-04","publish_status":"0","recid":"8836","relation_version_is_last":true,"title":["民族資料を精読する : 旧オランダ領ニューギニアの犬形木製彫像"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:56:58.365462+00:00"}