{"created":"2023-06-20T16:02:36.464165+00:00","id":8799,"links":{},"metadata":{"_buckets":{"deposit":"71bf7019-5398-4202-b396-1db79c3b6f55"},"_deposit":{"created_by":17,"id":"8799","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"8799"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00008799","sets":["345:784"]},"author_link":["12929"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-09-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"348","bibliographicPageStart":"311","bibliographicVolumeNumber":"46","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究は，音楽の越境という現象を，新たなモノ（主に楽器）との出会いと\nしてとらえなおすものである。本稿では，日本におけるバリ・ガムラン音楽の\n演奏グループの上演や活動において，バリから運ばれてきた楽器が，さまざま\nに作用する姿を描き出した。ガムランはバリの信仰とも結びつきながら地域共\n同体のなかで育まれてきた音楽であり，楽器も現地の物理的社会的条件に適合\n的に作られている。そのため，それが日本に運ばれてきたとき，人々の生活や\n環境と齟齬をきたす。日本の演奏者たちは，周囲のモノの配置を工夫したり，\n新たな人間関係を築いたり，演奏内容を変化させたりしながら，楽器とそれを\n取り囲む日本の社会的物理的環境を調整し，なんとか楽器と折り合ってゆく。\nこうして楽器は，バリの人－モノのネットワークから部分的に切り離され，日\n本で新たな人やモノとの関係に入ってゆくのである。しかしながら本研究から\nは，バリ製の楽器が，モノらしいユニークなやり方でバリと日本を繋いでいる\nという面も明らかになる。","subitem_description_type":"Abstract"},{"subitem_description":"This study analyzes the trans-bordering or transcultural flow of music as \nan encounter with new material things (i.e., musical instruments). This paper \nexplores how gamelan instruments brought from Bali affect the performance \nand activity of Japanese gamelan players. Originally, Balinese gamelan music \nwas developed within Balinese religious and communal life. Its instruments \nare made for ready adaptation to such cultural and physical conditions. \nTherefore, when sent to Japan, they bring inexpedience in several ways. Toaccommodate and perform with such instruments, Japanese gamelan players \nstruggle to adjust their social and physical environment by conditioning the \nphysical layout, creating a new network for people, and compromising or \naltering their performance itself. In a sense, these instruments were taken \nfrom a Balinese human–object network and were brought to a new network in \nJapan. However, this study also presents the argument that gamelan instru\u0002ments bridge Japan and Bali in som  \n","subitem_description_type":"Abstract"}]},"item_10002_publisher_27":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"吉田, ゆか子"},{"creatorName":"ヨシダ, ユカコ","creatorNameLang":"ja-Kana"},{"creatorName":"Yoshida, Yukako ","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-10-20"}],"displaytype":"detail","filename":"KH_046_2_04.pdf","filesize":[{"value":"1.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_046_2_04","url":"https://minpaku.repo.nii.ac.jp/record/8799/files/KH_046_2_04.pdf"},"version_id":"d73cc432-12fc-4fc6-a725-bae70de124bd"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"モノ｜楽器｜ガムラン｜音楽の越境","subitem_subject_scheme":"Other"},{"subitem_subject":"thing｜musical instrument｜gamelan｜trans-border flow of music","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"楽器との出会いとしての音楽の越境 : 日本のバリ・ガムラン演奏グループを事例に＜特集 : 「上演を紡ぐ人とモノ : マテリアリティの人類学と上演芸術の研究の交差点」＞","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"楽器との出会いとしての音楽の越境 : 日本のバリ・ガムラン演奏グループを事例に＜特集 : 「上演を紡ぐ人とモノ : マテリアリティの人類学と上演芸術の研究の交差点」＞"},{"subitem_title":"Trans-border Flow of Music as an Encounter with Instruments : Cases of Balinese Gamelan in Japan＜Special Theme : Humans and Things Weaving a Performance Together : Exploring an Intersection of the Anthropology of Materiality and Performing Arts Studies＞","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"17","path":["784"],"pubdate":{"attribute_name":"公開日","attribute_value":"2021-10-20"},"publish_date":"2021-10-20","publish_status":"0","recid":"8799","relation_version_is_last":true,"title":["楽器との出会いとしての音楽の越境 : 日本のバリ・ガムラン演奏グループを事例に＜特集 : 「上演を紡ぐ人とモノ : マテリアリティの人類学と上演芸術の研究の交差点」＞"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:16:51.441191+00:00"}