{"created":"2023-06-20T16:02:25.859647+00:00","id":8553,"links":{},"metadata":{"_buckets":{"deposit":"d9ff98fd-83a8-4498-aec9-a637bc22a5a8"},"_deposit":{"created_by":17,"id":"8553","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"8553"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00008553","sets":["345:746"]},"author_link":["15083"],"item_9_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-10-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"382","bibliographicPageStart":"359","bibliographicVolumeNumber":"45","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告 "},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　近年，一部の「参加型アート」には衰退する地域を活性化し，弱者を包摂す\nるための生権力的な装置として行政に用いられる傾向がみられる。本稿はこれ\nをアートによる「生活空間の植民地化」と呼ぶ。このようにして作られたアー\nトは，木村敏（1994）がいうリアリティが人々を結びつけているために，生活\n空間を「脱植民地化」することは困難である。それに対して，オアハカのスト\nリートアート・ムーブメントにおいて，アートとは現状を打開するための使命\n感に突き動かされ，限界状況のなかで自己と向き合い，身を削りながら生み出\nされるものであった。本稿で紹介する「バリケードの聖母」と「サントニー\nニョ・アポ」のモチーフは，作者が著作権を放棄していたために，複数の人々\nの手によって次々と異なるバージョンが生み出され，現地に流布する信仰の回\n路を通じてプレゼンスを拡大していった。こうした，アクチュアリティに裏づ\nけられた創作のコラボレーションがオアハカの町に起きたのは，現地の作家や\nそれを目撃した人びとがあらかじめ共有していた特別なイメージを喚起する豊\nかな「土壌」が先行して存在していたからこそ可能となったといえる。","subitem_description_type":"Abstract"},{"subitem_description":"In recent years, some “participatory art” has come to be used by administrators\nas a biopower system for revitalizing declining areas and helping\npeople who suffered economically. As described herein, this phenomenon is\ndesignated as “colonization of living space” by art. Because “reality,” a concept\nintroduced by Bin Kimura（ 1994）, creates bonds among people, it is difficult\nto “decolonize” the living world. However, in Oaxaca’s street art movement, art has been motivated by a sense of mission to overcome the prevailing\ncircumstances, confronting the artist in limited situations, and being created\nwith suffering. Because of abandonment of copyrights, different versions\nof the holy statues of the “Virgen de las Barricadas” and “Santo Niño APPO”\nwere produced one after another by multiple authors. They increased its presence\nthrough the circuit of religious habitus. This creative collaboration in\nOaxaca city, backed by the actual conditions occurring because of the rich\n“soil”, evoked a special image that was shared by the local artists and those\nwho viewed the art works.","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15021/00009616","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館 "}]},"item_9_publisher_34":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_9_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943 ","subitem_source_identifier_type":"NCID"}]},"item_9_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X ","subitem_source_identifier_type":"ISSN"}]},"item_9_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"山越, 英嗣"},{"creatorName":"ヤマコシ, ヒデツグ","creatorNameLang":"ja-Kana"},{"creatorName":"Yamakoshi, Hidetsugu","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-11-20"}],"displaytype":"detail","filename":"KH_045_2_06.pdf","filesize":[{"value":"1.4 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_045_2_06","url":"https://minpaku.repo.nii.ac.jp/record/8553/files/KH_045_2_06.pdf"},"version_id":"4188ac7b-ef62-4783-ad9c-1db06a448f94"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"公共性｜アクチュアリティとリアリティ｜新自由主義｜ストリートアート","subitem_subject_scheme":"Other"},{"subitem_subject":"publicness｜actuality and reality｜neoliberalism｜street art","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"アートによる「生活空間の脱植民地化」をめざして：オアハカの民衆聖像崇拝とアクチュアリティの共鳴＜特集 : 「協働／プロセスの人類学 : 同時代のアートをめぐる省察から」＞","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"アートによる「生活空間の脱植民地化」をめざして：オアハカの民衆聖像崇拝とアクチュアリティの共鳴＜特集 : 「協働／プロセスの人類学 : 同時代のアートをめぐる省察から」＞"},{"subitem_title":"Aiming at “Living World Decolonization” by Art:Oaxaca’s Popular Holy Statue Worship and Resonance of “Actuality”＜Special Theme : Anthropology of Collaborations and Processes : From Studies of Contemporaneous Art Practices＞","subitem_title_language":"en"}]},"item_type_id":"9","owner":"17","path":["746"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-11-20"},"publish_date":"2020-11-20","publish_status":"0","recid":"8553","relation_version_is_last":true,"title":["アートによる「生活空間の脱植民地化」をめざして：オアハカの民衆聖像崇拝とアクチュアリティの共鳴＜特集 : 「協働／プロセスの人類学 : 同時代のアートをめぐる省察から」＞"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:16:47.096135+00:00"}