{"created":"2023-06-20T16:02:25.683414+00:00","id":8548,"links":{},"metadata":{"_buckets":{"deposit":"487136ea-92d5-4aed-ae87-b8d4cd1a6013"},"_deposit":{"created_by":17,"id":"8548","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"8548"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00008548","sets":["345:746"]},"author_link":["15385"],"item_9_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-10-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"296","bibliographicPageStart":"261","bibliographicVolumeNumber":"45","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告 "},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は1990 年代以降現代美術の文脈において注目されてきた「参加型アー\nト」を取り上げ，観客による作品への「参加」の意味を譲渡不可能性の観点か\nら論じるものである。参加型アートの多くは，特定の状況や観客自身が従事す\nるプロセス自体を作品として提示するものである。参加することは従来の美術\n批評の方法論にはない実践であるがゆえに批評家や美術史家を当惑させてもき\nた。観るだけではない直接的な「参加」を要請するアート作品を，人類学的に\nどのようにとらえることができるのだろうか。本稿では作品をつくるプロセス\nがアーティストや参加者たちにどのように経験されるのか，主にニューヨーク\nにおける事例から考察していく。そして参加型アートの実践を，「譲渡不可能」\nなものをつくりだそうとする試みのひとつとして再考する","subitem_description_type":"Abstract"},{"subitem_description":"Since the 1990s, “participatory art” has been gaining attention in the\ncontext of contemporary art. This paper presents analyses of participatory art\npractices from the viewpoint of inalienability. Participatory art often situates\nthe processes of audience participation or a particular situation as artwork.\nParticipation itself has been a methodology of neither art criticism nor art history.\nFor that reason, critics and theorists alike are puzzled by participatory\nart practices. They are at a loss for how to situate those practices to criticize\nthem. How should such art practices be grasped anthropologically? The\nauthor argues how those art production processes influence artists and participants\nwith those case studies in New York and reconsiders participatory art\npractices as manifestations of inalienability.","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15021/00009612","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館 "}]},"item_9_publisher_34":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_9_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943 ","subitem_source_identifier_type":"NCID"}]},"item_9_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X ","subitem_source_identifier_type":"ISSN"}]},"item_9_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"登, 久希子"},{"creatorName":"ノボリ, クキコ","creatorNameLang":"ja-Kana"},{"creatorName":"Nobori, Kukiko","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-11-20"}],"displaytype":"detail","filename":"KH_045_2_03.pdf","filesize":[{"value":"1.4 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_045_2_03","url":"https://minpaku.repo.nii.ac.jp/record/8548/files/KH_045_2_03.pdf"},"version_id":"2ef40baa-a387-4e03-ac59-2be7cdcd4426"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"参加型アート｜譲渡不可能性｜作品の制作プロセス｜経験｜参加","subitem_subject_scheme":"Other"},{"subitem_subject":"participatory art｜inalienability｜process of art-making｜experience｜participation","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"アート作品の譲渡不可能性 : 参加型アートとその制作プロセス＜特集 : 「協働／プロセスの人類学 : 同時代のアートをめぐる省察から」＞","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"アート作品の譲渡不可能性 : 参加型アートとその制作プロセス＜特集 : 「協働／プロセスの人類学 : 同時代のアートをめぐる省察から」＞"},{"subitem_title":"Inalienability of Artworks : Participatory Art and its Production＜Special Theme : Anthropology of Collaborations and Processes : From Studies of Contemporaneous Art Practices＞","subitem_title_language":"en"}]},"item_type_id":"9","owner":"17","path":["746"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-11-20"},"publish_date":"2020-11-20","publish_status":"0","recid":"8548","relation_version_is_last":true,"title":["アート作品の譲渡不可能性 : 参加型アートとその制作プロセス＜特集 : 「協働／プロセスの人類学 : 同時代のアートをめぐる省察から」＞"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:16:49.733565+00:00"}