{"created":"2023-06-20T16:02:03.930097+00:00","id":8031,"links":{},"metadata":{"_buckets":{"deposit":"c426db2d-81d1-4d49-ba9b-0ddc07484915"},"_deposit":{"created_by":17,"id":"8031","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"8031"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00008031","sets":["345:358"]},"author_link":["93"],"item_9_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-11-15","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"51","bibliographicPageStart":"1","bibliographicVolumeNumber":"37","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は，インド西部グジャラート州アーメダバード市で製作される女神儀礼\n用染色布の染色技術に焦点をあて，既往研究では触れられてこなかった化学染\n料を含む染色技術の現状を明らかにし，1960 ～ 1980 年代の製作技術との比較\n検討をおこない，製作者がどのように伝統的技術を継承しているかについて考\n察することを目的としている。\n　現在，同市における女神儀礼用染色布は，名称や形態，製作技術，使用目的\nが異なる，儀礼用，観賞用，実演説明用の三つに大別することができる。1960 ～\n1980 年代との製作技術を比較してみると，下染め技術やアリザリン染色など\nは，現在の観賞用染色布に引き継がれ，木版を使用した図像表現は現在の儀礼\n用染色布に，そして，実演用染色布はこの二つを併用したものというように，\n製作技術が絡み合った状態となって継承されていることが明らかになった。現\n代の選択肢の多い染材環境において，職人たちによるこのような継承は，製作\n工程の省力化を図る一方で，一見すると非合理的な製作技術も併合しながら多\n様に対応してきた結果であると考えられる。","subitem_description_type":"Abstract"},{"subitem_description":"The aims of this paper are to investigate how producers have inherited\ntraditional techniques, focusing on the dyeing and printing techniques used\nfor cloths for goddess rituals in Ahmedabad, Gujarat State, West India, and to\nclarify the current status of dyeing and printing techniques, including the use\nof chemical dyes that have not been mentioned in previous studies, and also\nto conduct a comparative study of current production techniques and those\nused from the 1960s through the 1980s.\nCurrently, dyed and printed cloths for the goddess rituals in this city\nhave various names/forms, production techniques, and purposes, and they can\nbe divided into three major categories according to their use: for rituals, ornaments,\nand demonstrations. By comparing them with the cloths made from\nthe 1960s through the 1980s, it is revealed that the bottoming and mordanting\ntechnique, the alizarin dyeing technique, etc. have been inherited for use\nin today’s dyed cloths for ornaments and demonstrations, and that the iconographical\nrepresentations, which are made by woodblock printing, have been\ninherited for use in the cloths for rituals and demonstrations, their production\ntechniques including the ones mentioned above. Even though there are various\nchoices of dyeing and printing methods these days, and while making efforts\nto streamline their production processes, the craft workers have inherited and\nstill use these impractical techniques to engage in strategic production.","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15021/00009133","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_9_publisher_34":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_9_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_9_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X","subitem_source_identifier_type":"ISSN"}]},"item_9_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"上羽, 陽子"},{"creatorName":"ウエバ, ヨウコ","creatorNameLang":"ja-Kana"},{"creatorName":"Ueba, Yoko","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-11-19"}],"displaytype":"detail","filename":"KH_037_1_01.pdf","filesize":[{"value":"27.0 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_037_1_01","url":"https://minpaku.repo.nii.ac.jp/record/8031/files/KH_037_1_01.pdf"},"version_id":"c009d4dd-2f3a-4b56-9cdb-4386c2ea47a7"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"染色布｜女神儀礼｜アリザリン染色｜アーメダバード｜技術継承","subitem_subject_scheme":"Other"},{"subitem_subject":"dyed and printed cloths｜goddess rituals｜alizarin dyeing｜Ahmedabad｜inherited traditional techniques","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"インド・グジャラート州アーメダバード市における 女神儀礼用染色布の製作技術の現状","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"インド・グジャラート州アーメダバード市における 女神儀礼用染色布の製作技術の現状"},{"subitem_title":"Contemporary Production Techniques of Dyed and Printed Cloths for Goddess Rituals in Ahmedabad, Gujarat State, India","subitem_title_language":"en"}]},"item_type_id":"9","owner":"17","path":["358"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-07-30"},"publish_date":"2012-07-30","publish_status":"0","recid":"8031","relation_version_is_last":true,"title":["インド・グジャラート州アーメダバード市における 女神儀礼用染色布の製作技術の現状"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:22:22.916181+00:00"}