{"created":"2023-06-20T16:01:31.810870+00:00","id":7298,"links":{},"metadata":{"_buckets":{"deposit":"a7ad927e-bac0-4a28-882d-8d0619fde007"},"_deposit":{"created_by":17,"id":"7298","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"7298"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00007298","sets":["345:646"]},"author_link":["12314"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-10","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"193","bibliographicPageStart":"127","bibliographicVolumeNumber":"41","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"中国甘粛省敦煌市の郊外に位置する仏教遺跡・莫高窟では，西魏代（六世紀\n前半）に，漢式の服制や中国古来の伝統的図案など，中国固有の特色を強くあ\nらわした造形が取り入れられた。中国固有の要素が多く取り入れられた歴史\n的・思想的な背景については，新たな要素の受容が顕著である第285 窟を中心\nとして，これまでにも数多くの研究がおこなわれている。一方，第285 窟以外\nの西魏代に造営された石窟では，西魏以前から踏襲する莫高窟に伝統的な要素\nも多く認められる。そのひとつに，配列・配色によって規則性を備える千仏図\nがある。西魏の時代における石窟造営の諸相を理解するためには，新たにもち\nこまれた要素のみならず，規則性を備える千仏図をはじめとした莫高窟に既存\nであった要素が，石窟空間においてどのように機能しているかを理解すること\nが不可欠となる。本稿では，規則性を備える千仏図が壁面の広い面積に描かれ\nる第248，249，288 窟を主な対象として，各窟の空間を構成する諸要素を整理\nし，規則性を備える千仏図の石窟空間における機能を解釈する。そして，西魏\n窟の空間構想や造営者の特徴について一考を提示する。","subitem_description_type":"Abstract"},{"subitem_description":"During the Western Wei dynasty (535–556 C.E.) in the Mogao Grottoes,\nseveral images and styles originating from China were introduced to the\ncave art, such as Chinese style clothing and traditional motifs from ancient\nChina. Many studies have focused on the historical or ideological background\nof these arts, especially on Cave 285 of which the statue and murals indicate\na strong influence from Chinese culture. On the other hand, many elements\nwere derived from before the Western Wei dynasty. One of the derived\nelements is the Thousand Buddha motif, which repeats rows of seated Buddha\nfigures with a regular coloring pattern. To understand the characteristics\nof the cave construction in the Western Wei dynasty, it is significant to understand\nhow the Buddhist cave spaces were formed by both newly introduced\nelements and elements derived from older origins. The wide internal spaces of\nCave 248, Cave 249 and Cave 288, which were assumed to have been constructed\nin the Western Wei dynasty, are decorated by the Thousand Buddha\nmotif. This paper reveals the functions of the Thousand Buddha motif\ndepicted in these three caves through analyzing the formation of the caves\nsuch as the cave structure, allocation of the statue and murals, and the drawing\ndesign of the Thousand Buddha motif. This paper also indicates the\nconcept of cave construction in the Western Wei dynasty as well as the characteristics\nof the groups engaged in constructing the caves in this period.","subitem_description_type":"Abstract"}]},"item_10002_publisher_27":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385180X  ","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"末森, 薫"},{"creatorName":"スエモリ, カオル","creatorNameLang":"ja-Kana"},{"creatorName":"Suemori, Kaoru","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-06"}],"displaytype":"detail","filename":"KH_041_2_02.pdf","filesize":[{"value":"56.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_041_2_02","url":"https://minpaku.repo.nii.ac.jp/record/7298/files/KH_041_2_02.pdf"},"version_id":"b6fb16c3-90b6-401b-9f6b-c0cebdfe0e85"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"中国仏教美術｜敦煌莫高窟｜西魏｜石窟空間構成｜千仏図の描写設計","subitem_subject_scheme":"Other"},{"subitem_subject":"Chinese Buddhist Art｜Dunhuang Mogao Grottoes｜Western Wei｜Cave Space","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"敦煌莫高窟の西魏代における石窟空間構成 : 千仏図の描写設計を中心として","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"敦煌莫高窟の西魏代における石窟空間構成 : 千仏図の描写設計を中心として"},{"subitem_title":"Formation of Buddhist Cave Spaces in Western Wei Dynasty at Dunhuang Mogao Grottoes, China : Drawing Design of Thousand Buddha Motif","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"17","path":["646"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-04-06"},"publish_date":"2017-04-06","publish_status":"0","recid":"7298","relation_version_is_last":true,"title":["敦煌莫高窟の西魏代における石窟空間構成 : 千仏図の描写設計を中心として"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:58:20.299326+00:00"}