@article{oai:minpaku.repo.nii.ac.jp:00004436,
 author = {佐藤, 進 and Sato, Susumu},
 issue = {3},
 journal = {国立民族学博物館研究報告, Bulletin of the National Museum of Ethnology},
 month = {Dec},
 note = {This paper demonstrates that Gyujangjeonun(奎章全韻)，a
rhyming dictionary published in Korea in the mid-18th century,
was compiled with the intent of changing the way of rhyming in
Chinese poetry. Jeongjo (正祖) wanted to make an innovation
in the versification part of the imperial examinations, as part
of his stylistic movement. Prior to that time versification in
these examinations was limited to rhymes in the level tone.
Within his innovation entering tone rhymes were permitted.
This demanded the compilation of a new rhyming dictionary in
which not only level, rising and falling tones, but also the entering
tone, were arranged in their proper places, and not simply
appended at the end. Gyujangjeonun was published to meet this
demand. It cannot be verified whether or not versification in
entering tone was actually assigned at the imperial examinations,
but some contemporary poems using the entering tone, and
composed at the command of the emperor (応制詩),occur in
Jeongsimunjeong(正始文程)．},
 pages = {631--644},
 title = {李朝の韻書と漢詩押韻の変革 : 文字使用政策の一例として},
 volume = {9},
 year = {1984},
 yomi = {サトウ, ススム}
}