{"created":"2023-06-20T15:59:13.278900+00:00","id":4324,"links":{},"metadata":{"_buckets":{"deposit":"b9c8151b-38a8-48d3-a521-b16a1483dec4"},"_deposit":{"created_by":17,"id":"4324","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"4324"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00004324","sets":["345:452"]},"author_link":["7670"],"item_9_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1989-01-27","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"3","bibliographicPageEnd":"516","bibliographicPageStart":"445","bibliographicVolumeNumber":"13","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"The aim of this article is to understand a Hindu village\nfestival in terms of cosmological meanings and political\nfunctions. In the \"Introduction\" anthropological works on Hindu\nvillage festivals are reviewed first, and then a Kali goddess village\nfestival, held at a Hindu fishing village on the western coast of\nSri Lanka, is described and its rituals are interpreted. Finally\nthree themes are considered in order to understand the village\nfestival as a whole. These themes are, first, the construction of\nspatial categories such as the sea, village and forest; second, the\ncosmological opposition between Kali and evil spirits; and, last,\nthe political domination of the village net-owners.\nThe recent development of anthropological studies of\nHindu village festivals is characterized by a shift from a structuralfunctionalist\napproach to symbolic analysis. In the former\napproach social functions of the festival are emphasized and\n\"village solidarity\" is considered to be realized through the\nparticipation of the villagers in the festival, whereas in the latter\nthe cosmological dimension of the village festival is investigated\nand more attention is paid to symbols such as sound, color,\nimages, and the like. It is said that the village festival provides\na rare occasion on which a village is renewed through the intrusion\nof the sacred. However, both approaches tend to ignore the\nmulti-dimensional character of the festival, especially its political\nfunctions, and explain it in terms of either group-solidarity or\nsymbolism. It is argued that with some modifications Turner's\nconcepts of \"structure\" and \"anti-structure\" are useful to the\nunderstanding of the political functions.\nThe Kali goddess festival is held at her temple for ten days in\nthe month of avani (September-October). This is the time when\nthe goddess originally appeared in the village, which had been\nsuffering from an epidemic, and saved the villagers. As it was\nKali herself who had caused the epidemic, when she was properly\nworshipped and given due respect, the fatal disease was controlled.\nOn the first day, a medium, who is possessed by Kali during\nthe festival, makes three ritual pots, one karakam and two kumpampots.\nThe karakam-pot is used for a village procession, while the\nkumpam-pots are placed in the sanctum sanctorum of the Kali\ntemple. On the third, fifth and seventh day of the festival the\nmedium goes into a trance in the sanctum sanctorum, places the\nkarakam-pot on his head, and starts going around the village with\nhis followers. Along the way villagers throw water to cool the\nmedium's body. In exchange they receive margosa leaves and\nhang them on the fence around their houses. Hanging margosa\nleaves on the fence indicates that a household member is suffering\nfrom small-pox, whose pustule is, it is believed, visual evidence of\npossession by a small-pox goddess. Therefore, the karakam-pot\nprocession is interpreted as the intrusion of an epidemic. The\nfestival re-acts the original event in which Kali first appeared to\nthe villagers and saved them from the epidemic. Kali represented\nas the karakam-pot is a goddess of epidemic. Accordingly\nthe village is described as \"a community of suffering\" (Turner).\nOn the tenth day a goat is sacrificed in front of the Kali\ngoddess temple. With this sacrifice Kali is propitiated and her\nviolent and feverish character is transformed into a calm and\nbenevolent one. Then the ritual pots made on the first day are\nall thrown into the sea.\nFinally, Kali's brass-image is heavily decorated and is taken\nout from the temple for a village procession. Unlike the karakamprocession,\nit shows no reference to an epidemic disease. Rather,\nit symbolizes a joyful and triumphant occasion after the epidemiccum-\ndivine has disappeared. When the brass-image comes back\nto the temple, puja (worship) is performed and pracada (sacralized\nofferings) are distributed to festival patrons. They are village\nnet-owners and some wealthy men.\nFrom a structural-functionalist point of view the village\nfestival enforces \"village solidarity\" by representing it as a community\nof suffering at the beginning and as a community of\ntriumph over the epidemic at the end. During the festival the\nvillage is clearly demarcated by a series of processions.\nSymbolically, the village festival shows the transformation of\nKali from a violent, epidemic-causing goddess into a benevolent,\ngrace-conferring one. The villagers make every effort to cool\ndown the goddess and propitiate her. Accordingly the village\nis renewed, as are the villagers.\nFrom a political point of view the festival legitimizes and\nconstructs the politico-economic domination of a wealthy sector\nof the fishing village, especially the net-owners. The villagers\nare divided into two classes; net-owners and their employees.\nAll the fishermen contribute to the village festival as village\npatrons, but it is only the net-owners (and wealthy persons) who\nare allowed to make additional contributions and, in exchange\nfor these, they have exclusive rights in receiving prasada at the end\nof the festival. In a sense they only support the non-ecstatic\n(structural) phase characterized by the brass-image of Kali,\nand not the ecstatic (anti-structural) phase, which is to be denied\nat the end of the festival. They take over the collective effort\nof the villagers to transform Kali, and seem to say that, without\ntheir financial support, neither the village festival nor the\ntransformation of the goddess would ever be possible. Thus it\nis through their contributions that the village is saved from the\nepidemic.\n","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15021/00004316","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_9_publisher_34":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_9_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_9_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X","subitem_source_identifier_type":"ISSN"}]},"item_9_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"田中, 雅一"},{"creatorName":"タナカ, マサカズ","creatorNameLang":"ja-Kana"},{"creatorName":"Tanaka, Masakazu","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-11-19"}],"displaytype":"detail","filename":"KH013_3_001.pdf","filesize":[{"value":"8.9 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH013_3_001.pdf","url":"https://minpaku.repo.nii.ac.jp/record/4324/files/KH013_3_001.pdf"},"version_id":"67a7a94c-e6f8-42ca-a890-f303abed21ed"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"カーリー女神の変貌 : スリランカ・タミル漁村における村落祭祀の研究","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"カーリー女神の変貌 : スリランカ・タミル漁村における村落祭祀の研究"},{"subitem_title":"Transformation of the Goddess Kali : An Anthropological Study of a Hindu Village Festival in a Tamil Fishing Village, Sri Lanka","subitem_title_language":"en"}]},"item_type_id":"9","owner":"17","path":["452"],"pubdate":{"attribute_name":"公開日","attribute_value":"2010-02-16"},"publish_date":"2010-02-16","publish_status":"0","recid":"4324","relation_version_is_last":true,"title":["カーリー女神の変貌 : スリランカ・タミル漁村における村落祭祀の研究"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T19:27:57.254476+00:00"}