@article{oai:minpaku.repo.nii.ac.jp:00004137,
 author = {西, 義郎 and Nishi, Yoshio},
 issue = {1},
 journal = {国立民族学博物館研究報告, Bulletin of the National Museum of Ethnology},
 month = {Oct},
 note = {In Modern Standard Burmese (Myanmar) are observed two distinct
types of voicing sandhi: (1) in the environment C1aC2, and if both Cl
and C2 are any one of /p t t c k s/, both C1 and C2 become voiced, and
(2) in the environment where C occurs after nonstop rhymes except
atonic ones within a word or phrase with a postposition or postpositions,
C becomes voiced if it has the voiced counterpart, hence C = /p ph t t th
c ch k kh; s sh/. However, a fair number of varied exceptions are found
for the first rule. The aim of the present paper is to explain the development
of these two sandhi rules and the exceptions by assuming four
stages for the devlopment of three phonological rules, either obligarory
or optional, or the orders of their application on the evidence from the
regional dialects of Burmese., 現代標準ビルマ語(ミャンマー語)には,(1)軽声母音/a/の前後の,対応
する有声音のある,無声無気閉鎖/破擦音および摩擦音の有声音化と(2)多
音節語あるいは助詞を含む名詞句/動詞句などの第2音節以下の音節の,対応
する有声音のある,無声無気/有気閉鎖/破擦音および摩擦音の有声音化の2
種類の規則的連濁現象がある。その一方で,(1)連濁規則には様々な例外がみ
られる。本論文は,主として,現代ビルマ語(地域)方言の資料を参考にして,
標準ビルマ語におけるこの2種類の連濁規則の発達を4段階に分け,更に,規
則が義務的か任意的か,適用順序の有無などを考慮して,例外も含めて,連濁
規則の発達を歴史的に説明しようと試みたものである。},
 pages = {253--260},
 title = {The Development of Voicing Rules in Standard Burmese},
 volume = {23},
 year = {1998},
 yomi = {ニシ, ヨシオ}
}