{"created":"2023-06-20T15:59:00.092994+00:00","id":3959,"links":{},"metadata":{"_buckets":{"deposit":"56c79ad1-6a75-41c9-b0dc-6f69a30d54e3"},"_deposit":{"created_by":17,"id":"3959","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"3959"},"status":"published"},"_oai":{"id":"oai:minpaku.repo.nii.ac.jp:00003959","sets":["345:377"]},"author_link":["8276"],"item_9_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2008-01-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"236","bibliographicPageStart":"149","bibliographicVolumeNumber":"32","bibliographic_titles":[{"bibliographic_title":"国立民族学博物館研究報告"},{"bibliographic_title":"Bulletin of the National Museum of Ethnology","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"この短い報告では，1965 年に読売新聞社が主催して東京で開催されたアボリ\nジナル美術展「オーストラリア原始美術」展の資料を紹介する。この展覧会は\n大陸北部アーネムランドやキンバリーの樹皮画と彫刻を主とするドロシィ・ベ\nネット・コレクションによって構成された。それがアボリジナルとのジョイン\nト展であったという意味で，オーストラリア国外での最初のアボリジナル美術\n展であった。ここでは同展の『図録』を中心に，この展覧会にかかわる資料の\n紹介を試みる。\n　オーストラリア先住民に関する情報がほとんどなく，海外調査が困難であっ\nた当時，彼らの芸術に直接触れることのできたこの展覧会は，日本の民族学・\n人類学だけでなく，当時のオーストラリアの状況を色濃く反映したものであり，\nそれゆえにまた日本の研究者の注目するところとなった。それが展覧会4 年後\nにランス・ベネット（ドロシィの息子）著，泉靖一編，原ひろこ訳『オースト\nラリアの未開美術』という大著を刊行させたのである。\n　しかし，その後しばらくは，日本においてアボリジナル美術の展覧会が開催\nされることはなかった。これが再開されたのは1986 年の神戸市立博物館と，\n1992 年の国立民族学博物館の特別展および同じ年の京都と東京の国立近代美術\n館の展覧会であった。現在では日本の博物館や美術館も，自らの研究にもとづ\nいてアボリジナル美術を収蔵している。その先駆けをなしたのが，1965 年の\n「オーストラリア原始美術」展であった。","subitem_description_type":"Abstract"},{"subitem_description":"In this short paper I will describe the first Aboriginal art exhibition held\nin Japan, which had a big impact on Japanese anthropologists. The ‘Exhibition\nof Australian Aboriginal Art’ was held in Tokyo in 1965 for around one\nmonth and was planned by The Yomiuri Sinbun. This was the first Aboriginal\nart exhibition accompanied by Aboriginal people not only in Japan but also\noutside Australia. Unfortunately we have no documents or records about it left\ntoday, except for a copy of the catalogue. The exhibition was titled ‘Australian\nPrimitive Art’ in Japanese, and it mainly displayed artworks from Arnhem\nLand and Kimberley in the northern part of Australia. The artwork came from\nthe ‘Dorothy Bennet Collection’; she also attended the exhibition in Tokyo.\nAccording to a comment on the exhibition by noted novelist Kenzaburou\nOoe, the artworks on show symbolized the humane Aboriginal civil society\nwhich contrasted with the Japanese people of the time who were forced to be\ninvolved in their own modern, complex, atomic power world.\nFor Japanese anthropologists this exhibition gave a chance to directly\nobtain vivid information on Australian Aboriginal arts. They previously had\nonly academic information about Aboriginal culture through limited resources:\nsome ethnographies like A. P. Elkin’s, and W. L. Waner’s books from the\nearly 1940s. In 1969, four years after the exhibition, the famous Japanese\nanthropologist Seiichi Izumi [1915–1970], edited a book with Lance Bennet\n[son of Dorothy Bennet] entitled ‘Art of the Dreamtime; The Dorothy Bennet\nCollection of Australian Aboriginal Art’; in Japanese it is called ‘Australian\nPrimitive Art’.\nAfter this event there were no exhibitions of Aboriginal art held in galleries\nor museums in Japan until 1986 and 1992. In 1986 The Kobe City\nMuseum and in 1992 The National Museum of Ethnology, Osaka, and The\nNational Museum of Modern Art, Kyoto and Tokyo, held exhibitions of\nAboriginal art. At the Kobe exhibition, Dorothy Bennet visited again to display\nsome artwork from Arnhem Land, but the 1992 exhibitions had no connection\nwith the 1965 one but were planned by museum staff who had completed\nfield research in Aboriginal communities in Australia from the 1980s\non. Today a number of Japanese galleries and museums have Aboriginal art\nin their collections and just as importantly these institutions see Aboriginal art\nmore correctly as contemporary art and not ‘primitive art’.","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15021/00003951","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国立民族学博物館"}]},"item_9_publisher_34":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"National Museum of Ethnology"}]},"item_9_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00091943","subitem_source_identifier_type":"NCID"}]},"item_9_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0385-180X","subitem_source_identifier_type":"ISSN"}]},"item_9_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"松山, 利夫"},{"creatorName":"マツヤマ, トシオ ","creatorNameLang":"ja-Kana"},{"creatorName":"Matsuyama, Toshio","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-11-19"}],"displaytype":"detail","filename":"KH_032_2_001-all.pdf","filesize":[{"value":"4.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KH_032_2_001-all.pdf","url":"https://minpaku.repo.nii.ac.jp/record/3959/files/KH_032_2_001-all.pdf"},"version_id":"24e94d8e-519b-4f94-831e-4eeae72273d9"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"「オーストラリア原始美術」展｜1965 年｜東京｜ドロシィ・ベネット｜泉靖一","subitem_subject_scheme":"Other"},{"subitem_subject":"‘Australian Primitive Art’｜1965｜Tokyo｜Dorothy Bennet｜Seiichi Izumi","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"「オーストラリア原始美術」展とその民族学的背景 : 日本最初のアボリジナル美術展をめぐる資料の紹介","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「オーストラリア原始美術」展とその民族学的背景 : 日本最初のアボリジナル美術展をめぐる資料の紹介"},{"subitem_title":"The ‘Exhibition of Australian Aboriginal Art’ of 1965 and its Anthropological Background","subitem_title_language":"en"}]},"item_type_id":"9","owner":"17","path":["377"],"pubdate":{"attribute_name":"公開日","attribute_value":"2010-02-16"},"publish_date":"2010-02-16","publish_status":"0","recid":"3959","relation_version_is_last":true,"title":["「オーストラリア原始美術」展とその民族学的背景 : 日本最初のアボリジナル美術展をめぐる資料の紹介"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-20T17:21:43.514033+00:00"}