@article{oai:minpaku.repo.nii.ac.jp:00003954,
 author = {楊, 海英 and Yang, Haiying},
 issue = {4},
 journal = {国立民族学博物館研究報告, Bulletin of the National Museum of Ethnology},
 month = {Mar},
 note = {清朝の光緒年間の初期に，「中興の臣」とされる左宗棠の部下で，湖南出身
の劉福堂（別名劉厚基）という人物が赴任先の陝西の要塞都市である楡林で
『圖開勝跡』という漢籍を編集した。同書には清朝末期の楡林地域の碑刻など
が数多く抄録されているだけでなく，ときの辺疆における軍事状況を反映した
絵画や隣接するオルドス・モンゴルを描いた地圖と絵画，さらにはオルドス・
モンゴルの盟長をつとめていたバダラホ（1808–1883）が書いた満洲語の文章
も収められている。こうした豊富な内容を有する『圖開勝跡』は清朝の西北部
から中央アジアの東部までを巻きこんだ回民反乱時の陝西地域とオルドス地域
の社会を活写した第一級の資料である。
　劉福堂とバダラホ王の二人は協力し合って陝西北部の回民反乱軍を鎮圧し
た。反乱鎮圧後，バダラホ王は劉福堂の本『圖開勝跡』のなかに「凱旋圖」を
書き添えて，自分の戦功をアピールした。「凱旋圖」にはオルドスの7 つの旗
内にある寺院や遊牧民の天幕と家畜群，それに王（ジャサク，札薩克）の住む
宮殿が活写されている。本論文ではまず「凱旋圖」が成立した歴史的な背景を
解説し，その上で同圖が伝えるオルドス7 旗の歴史的・民族学的情報を抽出し
整理する。バダラホ王の「凱旋圖」は19 世紀末のオルドス・モンゴルの政治
と社会を研究するのに欠かせない重要な資料であることが明らかになった。, In the early phase of the Guangxu ( 光緒) era, during the Qing dynasty,
a Chinese administrator called Liu Futang ( 劉福堂, also known as Liu Houji
劉厚基), who came from Hunan province, was engaged in the compilation of
a historical book titled “Tukai Shengji” ( 圖開勝跡). This book was written
in Chinese. Liu Futang served the renowned Chinese statesman and military
leader Zuo Zongtang ( 左宗棠). Zuo Zongtang is famous for his allegiance
and distinction in his political and military career. He saved his country from
civil wars and conflicts against foreign powers, thus re-establishing the power
of the Qing dynasty, which had been suffering from serious crises undermining
Chinese sovereignty. The compilation of the book was carried out in Yulin
( 楡林), a fortress town in Shanxi province, where Liu Futang and his troops
were stationed. Included in the book are not only many epitaphs collected
near Yulin around the end of the Qing dynasty, but also paintings and drawings
depicting military expeditions along the frontier regions of China. The
book also contains maps and paintings of Ordos, Mongolia. Furthermore, it is
worth noting that it includes a collection of writings in the Manchurian language,
written by Jasagh Badaraqu (1808–1883) of Ordos Mongolia. “Tukai
Shengji” is an excellent collection of historical materials vividly describing
the circumstances of Shanxi and Ordos around the end of the 19th century,
when the Hui Rebellion broke out, spreading over a vast region of north west
China and the eastern part of Central Asia. As far as I know, however, no
in depth research of this book has been presented in the academic circles of
Mongolian studies before.
Liu Futang and Jasagh Badaraqu coordinated their military efforts and
together calmed the Hui rebellion in north Shanxi. After successfully suppressing
the Hui uprising, King Badaraqu had several picture scrolls titled the
“Return of the Army in Triumph” incorporated into “Tukai Shengji”, which
was being compiled by Liu Futang. It is understood that, by doing so, King
Badaraqu was pursuing publicity for his military distinction. Graphically
depicted in these scrolls are temples in the seven Ordos banners in those days,
tents and livestock owned by nomad tribes, the palace of Jasagh and other
items. This paper extracts, streamlines and presents historical as well as ethnological
information about the seven Ordos banners that is incorporated into
these seven picture scrolls. Based on that information, this paper discusses
the historical background against which the scrolls were produced, thus analysing
the specific nature of the paintings. It has been proved that these picture
scrolls, the “Return of the Army in Triumph”, are indispensable historical
materials for us to understand Ordos Mongol politics and society around the
end of the 19th century.},
 pages = {629--657},
 title = {清朝時代伊克昭盟盟長バダラホの奏凱図 : 『圖開勝跡』が描くオルドス七旗},
 volume = {32},
 year = {2008},
 yomi = {ヤン, ハイイン}
}