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セネガルの舞踊と日常動作の関連に関する研究ノート
https://doi.org/10.15021/00004444
https://doi.org/10.15021/000044446b9076de-1609-4a5b-af30-c769d80c855d
名前 / ファイル | ライセンス | アクション |
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KH_008_4_003.pdf (2.0 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2010-02-16 | |||||
タイトル | ||||||
タイトル | セネガルの舞踊と日常動作の関連に関する研究ノート | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | A Note on the Relationship between the Dance Movements and Everyday Activity | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15021/00004444 | |||||
ID登録タイプ | JaLC | |||||
著者 |
小川, 了
× 小川, 了 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In general there are two views on the relationship between the dance movements and daily work. From one point of view, dance movements are formed in a domain which is completely cut-off from those of daily routine. In dance the body is used in different ways from those employed in daily work movements. In one sense, dance could be defined as composed of movements not found in ordinary daily work. Dance must be something different. The essential point is that dance movements are articulated, and by this articulation dance becomes something out of the ordinary, or unusual. The other perspective regards dance movements as being closely related to routine work movements. Many authors claim that the movement style in dance represents a crystallization of the frequent patterns of everyday activity. These two view points are apparently contradictory; but this is, in fact, not so. That is, movements performed almost automatically or unconsciously in the everyday life are, in dance, performed consciously. Therefore they articulate. Dance movements themselves are rooted on the habitual movements of a people's daily activity. So dance activity and everyday activity are not entirely distinct. The criterion which distinguishes dance movements from daily activity is that , in the former, movements are performed consciously and with articulation. In this note I use as an example some particular postures and movements of Senegalese (Ful6e, Wolof and Serer) women's dances. In their dances, the upper torso is lightly inclined forward and the pelvis is tilted downward. The important movements consist largely in those of the pelvis. This angular posture in dance appears to be related to that in which babies are carried on their mothers' backs, and that the pelvic movements are connected with the women's daily activities; pounding grains and drawing water from a well. |
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書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 8, 号 4, p. 865-877, 発行日 1984-03-28 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 0385-180X | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00091943 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 国立民族学博物館 | |||||
出版者(英) | ||||||
出版者 | National Museum of Ethnology |