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  1. 国立民族学博物館研究報告
  2. 13巻2号

舞台装置としての家屋 : 東インドネシアにおける家屋のシンボリズムに関する一考察

https://doi.org/10.15021/00004321
https://doi.org/10.15021/00004321
f31aed0a-c25a-4b3b-b974-be84fddc3378
名前 / ファイル ライセンス アクション
KH_013_2_001.pdf KH_013_2_001.pdf (2.5 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2010-02-16
タイトル
タイトル 舞台装置としての家屋 : 東インドネシアにおける家屋のシンボリズムに関する一考察
タイトル
タイトル House as Setting : On the Symbolism of the House in Eastern Indonesia
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.15021/00004321
ID登録タイプ JaLC
著者 杉島, 敬志

× 杉島, 敬志

杉島, 敬志

ja-Kana スギシマ, タカシ

en Sugishima, Takashi

Search repository
抄録
内容記述タイプ Abstract
内容記述 A number of leading studies on the symbolism of the house in
eastern Indonesia share the common viewpoint which compares
the house to a microcosm. For example, in a recent monograph
Forth states "the Rindi house is a microcosm which in its structure
expresses categories and principles with the widest applications
in Rindi thought and action, and so provides a comprehensive
representation of orderly, universal form and relations" (FORTH
1980: 1).
The purpose of this paper is to reconsider this kind of cosmological
viewpoint in detail, and to present a more relevant
viewpoint for the symbolism of the house in eastern Indonesia.
In chapter 1, several definitions of microcosm are compared
to extract some general components comprising the concept of
microcosm. On the basis of these conceptual components the
following definition of microcosm is derived: the microcosm is
the smaller structure among those governed by a regular order
and constructed on the same organizing principle.
In chapter 2, some influential studies of the symbolism of the
house in eastern Indonesia are reexamined by the use of that
definition. In this reexamination it is demonstrated that the
house of the area is not a structure governed by a regular order
and constucted by the same organizing principle as that of
macrocosm or social world.
In chapter 3, a more relevant viewpoint for the study of the
symbolism of the house in eastern Indonesia is presented on theA number of leading studies on the symbolism of the house in
eastern Indonesia share the common viewpoint which compares
the house to a microcosm. For example, in a recent monograph
Forth states "the Rindi house is a microcosm which in its structure
expresses categories and principles with the widest applications
in Rindi thought and action, and so provides a comprehensive
representation of orderly, universal form and relations" (FORTH
1980: 1).
The purpose of this paper is to reconsider this kind of cosmological
viewpoint in detail, and to present a more relevant
viewpoint for the symbolism of the house in eastern Indonesia.
In chapter 1, several definitions of microcosm are compared
to extract some general components comprising the concept of
microcosm. On the basis of these conceptual components the
following definition of microcosm is derived: the microcosm is
the smaller structure among those governed by a regular order
and constructed on the same organizing principle.
In chapter 2, some influential studies of the symbolism of the
house in eastern Indonesia are reexamined by the use of that
definition. In this reexamination it is demonstrated that the
house of the area is not a structure governed by a regular order
and constucted by the same organizing principle as that of
macrocosm or social world.
In chapter 3, a more relevant viewpoint for the study of the
symbolism of the house in eastern Indonesia is presented on the
basis of data collected during my field research (May, 1983
to March, 1985) among the Lionese people of Central Flores.
That is, the house is a kind of setting which interacts with the
symbolic actions in or around the house, and is interpreted in
accordance with the symbolic actions. In other words, while
interacting, it provides the incentive to construct the various
images of possible worlds.
As van Wouden pointed out in his article on Kodi, "a house
is a structure in more than the material sense" (VAN WOUDEN
1977: 192). However, as mentioned above, it is not necessary
to compare the house in eastern Indonesia with a microcosm.
Accordingly, viewpoints more relevant for the study of the symbolism
of house in the area must be developed.
書誌情報 国立民族学博物館研究報告
en : Bulletin of the National Museum of Ethnology

巻 13, 号 2, p. 183-220, 発行日 1988-10-17
出版者
出版者 国立民族学博物館
出版者(英)
出版者 National Museum of Ethnology
ISSN
収録物識別子タイプ ISSN
収録物識別子 0385-180X
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00091943
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
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