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As a result they confirm the dualist view of Hinduism,\nconsisting of the \"Great Tradition\" and the \"Little Tradition.\"\nI contend that what is more important to the understanding of\nthe relationships between priesthood and mediumship is the\ndifference in their political functions: rituals presided over by\nthe priest are close to political power. I argue that the political\nfunction of priesthood is more effective for the legitimation of\npower than that of possession. I do not deny the existence of\na political function in rituals where possession is frequent, but\nthe political function of priesthood seems to guarantee that\npolitical power has a long-term and stable authority.\nritual called snanabhiseka. This is supported by the wealthy\nvillagers. It aims to create sacred power and transfer it to the\nstone images of Partasarati and his consorts and of Draupadi.\nOn the morning of the 18th day, the priest starts another\nelaborate ritual and creates sacred fire. The medium goes into\na trance in front of the stone image and transfers the fire to a\nfirewalking pit. Logs are piled over the fire. In the evening\nthe pit is raked flat, and only hot coals are left. The medium\nwalks over the fire, leading about one thousand male devotees.\nFirewalking is the climax of the 19-day-long festival. The next\nday the Brahmin priest removes the sacred thread from the\nmedium\u0027s hand, and the festival is over.\nI argue that the festival as a whole consists of three kinds of\nrituals; 1) rituals conducted by the medium; 2) rituals conducted\nby the priest; and 3) rituals conducted by the priest\nin which the medium participates. The first type is of ecstatic\nnature, although the medium is not always in a state of possession.\nIt represents the world of devotees. The medium is both guru\nand incarnation of Draupadi, leading the devotees towards the\ngoddess. The world constructed through the ecstatic rituals is\negalitarian and is considered to be \"anti-structural.\" The second\ntype, on the other hand, is not ecstatic. The Brahmin priest\npresides over the rituals, uttering Sanskrit mantras and using hand\ngestures. Although not always the case, these rituals are expensive\nand are restricted to relatively wealthy villagers, who participate\nas patrons. These rituals confirm secular relationships in the\nvillage and legitimate the power of the patrons.\nThe third type of rituals shows us the hierarchical relationships\nbetween the priest and the medium. For example, the ritual of\ntying the sacred thread enables the medium to become possessed.\nWithout this ritual, he cannot play a central part in the festival.\nHe depends on the Brahmin priest. Likewise the fire for the\nfirewalking is created by the Brahmin priest. The medium\ncannot walk over the fire without the priest\u0027s ritual.\nThe festival can be seen as a sacrifice. It consists of \"the\nrite of entry,\" \"immolation,\" and \"the rite of exit.\" The first\nis the ritual of tying the sacred thread, the second firewalking,\nthe last the ritual of untying the sacred thread. In this case the\nmedium is considered as the victim offered to Draupadi for the\nbenefit of the village as a whole.\n\na Tamil fishing village, Sri Lanka. Anthropological studies on\nHindu religious functionaries tend to contrast the Brahmin priest\nwith the non-Brahmin medium or shaman. They each deal with\ndifferent, but not totally separate, spheres of village religious\nlife. The Brahmin priest is more concerned with otherworldly\nvalues, the medium with this-worldly values. This article\nconsiders the relationships between priest and medium in a\nvillage festival in terms of their symbolic roles and their political\nfunctions.\nThe setting is a local village temple dedicated to Partasarati\n(Krsna) and to Draupadi, a deified heroine of the Mahabharata.\nBoth Brahmin priest and non-Brahmin medium participate in\nthis festival. While the former performs daily worship and more\ncomplicated rituals supported by wealthy villagers, the latter,\nbeing possessed by Draupadi, plays the role of the goddess\u0027s\nincarnation.\nThe annual festival starts with purificatory rituals. The\npriest ties a sacred thread to the medium\u0027s right wrist. Then\nhe goes to the sea. There he induces Draupadi\u0027s power into\na karakam or ritually decorated pot, and becomes possessed by\nher. Every other evening during the festival he carries the\nkarakam pot on his head to the temple. Draupadi\u0027s power", "subitem_description_type": "Abstract"}]}, "item_9_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.15021/00004284", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_33": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "国立民族学博物館"}]}, "item_9_publisher_34": {"attribute_name": "出版者(英)", "attribute_value_mlt": [{"subitem_publisher": "National Museum of Ethnology"}]}, "item_9_source_id_10": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AN00091943", "subitem_source_identifier_type": "NCID"}]}, "item_9_source_id_8": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "0385-180X", "subitem_source_identifier_type": "ISSN"}]}, "item_9_version_type_16": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "田中, 雅一"}, {"creatorName": "タナカ, マサカズ", "creatorNameLang": "ja-Kana"}, {"creatorName": "Tanaka, Masakazu", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "7670", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2015-11-19"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "KH_015_2_002.pdf", "filesize": [{"value": "23.1 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 23100000.0, "url": {"label": "KH_015_2_002.pdf", "url": "https://minpaku.repo.nii.ac.jp/record/4292/files/KH_015_2_002.pdf"}, "version_id": "5a08228b-fcf9-4838-be35-2db1c0139a6d"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "司祭と霊媒 : スリランカ・タミル漁村における村落祭祀の分業関係をめぐって", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "司祭と霊媒 : スリランカ・タミル漁村における村落祭祀の分業関係をめぐって"}, {"subitem_title": "Priesthood and Mediumship : Their Relationship at a Hindu Village Festival in a Tamil Fishing Village, Sri Lanka", "subitem_title_language": "en"}]}, "item_type_id": "9", "owner": "17", "path": ["445"], "permalink_uri": "https://doi.org/10.15021/00004284", "pubdate": {"attribute_name": "公開日", "attribute_value": "2010-02-16"}, "publish_date": "2010-02-16", "publish_status": "0", "recid": "4292", "relation": {}, "relation_version_is_last": true, "title": ["司祭と霊媒 : スリランカ・タミル漁村における村落祭祀の分業関係をめぐって"], "weko_shared_id": -1}
司祭と霊媒 : スリランカ・タミル漁村における村落祭祀の分業関係をめぐって
https://doi.org/10.15021/00004284
https://doi.org/10.15021/000042841dbf9920-354a-4c09-9093-d3d1ead4b549
名前 / ファイル | ライセンス | アクション |
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KH_015_2_002.pdf (23.1 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2010-02-16 | |||||
タイトル | ||||||
タイトル | 司祭と霊媒 : スリランカ・タミル漁村における村落祭祀の分業関係をめぐって | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Priesthood and Mediumship : Their Relationship at a Hindu Village Festival in a Tamil Fishing Village, Sri Lanka | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15021/00004284 | |||||
ID登録タイプ | JaLC | |||||
著者 |
田中, 雅一
× 田中, 雅一 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This article aims to analyse the relationships between a Brahmin priest and a non-Brahmin medium at a village festival in culminates in the stone image of her found inside the temple. From the llth day onwards the priest conducts an elaborate Anthropologists tend to consider priesthood to be characteristic of the culture of higher castes, and possession that of lower castes. As a result they confirm the dualist view of Hinduism, consisting of the "Great Tradition" and the "Little Tradition." I contend that what is more important to the understanding of the relationships between priesthood and mediumship is the difference in their political functions: rituals presided over by the priest are close to political power. I argue that the political function of priesthood is more effective for the legitimation of power than that of possession. I do not deny the existence of a political function in rituals where possession is frequent, but the political function of priesthood seems to guarantee that political power has a long-term and stable authority. ritual called snanabhiseka. This is supported by the wealthy villagers. It aims to create sacred power and transfer it to the stone images of Partasarati and his consorts and of Draupadi. On the morning of the 18th day, the priest starts another elaborate ritual and creates sacred fire. The medium goes into a trance in front of the stone image and transfers the fire to a firewalking pit. Logs are piled over the fire. In the evening the pit is raked flat, and only hot coals are left. The medium walks over the fire, leading about one thousand male devotees. Firewalking is the climax of the 19-day-long festival. The next day the Brahmin priest removes the sacred thread from the medium's hand, and the festival is over. I argue that the festival as a whole consists of three kinds of rituals; 1) rituals conducted by the medium; 2) rituals conducted by the priest; and 3) rituals conducted by the priest in which the medium participates. The first type is of ecstatic nature, although the medium is not always in a state of possession. It represents the world of devotees. The medium is both guru and incarnation of Draupadi, leading the devotees towards the goddess. The world constructed through the ecstatic rituals is egalitarian and is considered to be "anti-structural." The second type, on the other hand, is not ecstatic. The Brahmin priest presides over the rituals, uttering Sanskrit mantras and using hand gestures. Although not always the case, these rituals are expensive and are restricted to relatively wealthy villagers, who participate as patrons. These rituals confirm secular relationships in the village and legitimate the power of the patrons. The third type of rituals shows us the hierarchical relationships between the priest and the medium. For example, the ritual of tying the sacred thread enables the medium to become possessed. Without this ritual, he cannot play a central part in the festival. He depends on the Brahmin priest. Likewise the fire for the firewalking is created by the Brahmin priest. The medium cannot walk over the fire without the priest's ritual. The festival can be seen as a sacrifice. It consists of "the rite of entry," "immolation," and "the rite of exit." The first is the ritual of tying the sacred thread, the second firewalking, the last the ritual of untying the sacred thread. In this case the medium is considered as the victim offered to Draupadi for the benefit of the village as a whole. a Tamil fishing village, Sri Lanka. Anthropological studies on Hindu religious functionaries tend to contrast the Brahmin priest with the non-Brahmin medium or shaman. They each deal with different, but not totally separate, spheres of village religious life. The Brahmin priest is more concerned with otherworldly values, the medium with this-worldly values. This article considers the relationships between priest and medium in a village festival in terms of their symbolic roles and their political functions. The setting is a local village temple dedicated to Partasarati (Krsna) and to Draupadi, a deified heroine of the Mahabharata. Both Brahmin priest and non-Brahmin medium participate in this festival. While the former performs daily worship and more complicated rituals supported by wealthy villagers, the latter, being possessed by Draupadi, plays the role of the goddess's incarnation. The annual festival starts with purificatory rituals. The priest ties a sacred thread to the medium's right wrist. Then he goes to the sea. There he induces Draupadi's power into a karakam or ritually decorated pot, and becomes possessed by her. Every other evening during the festival he carries the karakam pot on his head to the temple. Draupadi's power |
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書誌情報 |
国立民族学博物館研究報告 en : Bulletin of the National Museum of Ethnology 巻 15, 号 2, p. 393-509, 発行日 1990-12-28 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 0385-180X | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00091943 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 国立民族学博物館 | |||||
出版者(英) | ||||||
出版者 | National Museum of Ethnology |